The coming-of-age story unites the designer with his audience, and allows Сумка-слінг louis vuitton avenue sling taiga луї віттон слінг авеню his Boyhood Ideology®, the childlike sensibility observed throughout his nigo x virgil abloh louis vuitton lv2 collection outlook of a child, who is yet to be affected by the preconceived ideas of society. He wants to reset our preordained perceptions and start from scratch where clothes are clothes and humans are humans. To cement this methodology, he frames his shows in childlike whimsy: the 𝓛𝓸𝓾𝓲𝓼 Dreamhouse™ of Collection 8, the bouncy castle and build-your-own-kite kit of Collection 3, or the rainbow runway of Collection 1 where it all begins.

In his first campaign, for Collection 1, he reimagines Gustave Courbet’s The Painter’s Studio from 1855 in photographic form. The original work depicts Courbet working on a painting surrounded to his left by people from all levels of French society, and to his right by members of high society. Virgil Abloh’s contemporary perspective pictures himself fitting a look from the collection surrounded by members of his team, social circle, and models, each clad in the collection. Where Courbet’s painting interprets ‘real world’ society for the eyes of the cultural elite, Virgil Abloh portrays the all-encompassing exchange that defines his vision for Louis Vuitton: diversity, inclusivity, and unity. He revisits the painting for Collection 8, adapting the original into tapestries and prints.

After The Wizard of Oz, it had to be The Wiz. Inspired by the Oz Louis Vuitton Monogram Canvas 1998 France World Black Imagination that will underpin Virgil Abloh’s every move at Louis Vuitton. Black Imagination denotes the rethinking and overturning of inherited and often unconscious expectations tied to Black identities through history. It wants to create an encouraging Black consciousness for the present and the future. Merging this premise with his Boyhood Ideology®, Virgil Abloh creates a colourful crew of puppets for Collection 5 based on his memories of his friends when they descended on Paris for his first Louis Vuitton show.

The puppets look like toys, but they are inspired by the West African wooden sculptures he grew up with as the son of Ghanaian immigrants. Throughout Collections 5, 6 and 7, his work begins to express a more personal nature. The Ghanaian flag, Kente cloth and West African silhouettes of his heritage take centre stage. He bases his film for Collection 6 on James Baldwin’s Stranger in the Village, examining the experience of being a Black artist in the birthplace of European art. He Louis Vuitton 2011 pre-owned Damier Ebène Brooklyn belt bag B-side created by the funk-soul group The Winstons in 1969, which would be Шерстяной палантин louis vuitton into thousands of the pop tracks most familiar to us today.

louis vuitton portemonnaie elise grun epi hip-hop culture that nurtured him. He wants to contribute to a Black Canon: an abstract catalogue for the memory, reconstruction and preservation of the history of Black art on par with the way in European art is studied and taught. To Virgil Abloh, documenting his prolific output is always about posterity: preserving it so it might inspire future generations, and open the door he has kept ajar for the opportunities of Louis Vuitton Monogram Galaxy Keepall 50 Bravest Studios Paisley Louis Vuitton Shorts this Earth.

bolso cabas louis vuitton babylone en lona monogram marron y cuero natural Сумка банку в стилі louis vuitton with a ladder that reaches into Heaven. The motif is echoed in Collection 8, in sky blue bags embellished with climbing holds, in the Grim Reaper cartoons he scatters on garments, and the kite-like structures that turn into human-sized angel wings. Like his beloved cityscapes by Giorgio de Chirico, Virgil Abloh imagines a life where we can slow down the clock, turn back time, or even make it come to a stop.

To Virgil Abloh, limitations are manmade. He imagines what Heaven on Earth might look like (Collection 4), interprets flowers as symbols of human diversity (Collections 3; 8), and finds civility in Parisian romanticism (Collections 2; 3; 8). He is passionate about surrealism, but his work is Billetera Louis Vuitton en cuero amarillo to confront the issues of the world, and he approaches that dream with fervent pragmatism. When rational solutions don’t seem to make the world a better place, he gives the opposite a shot.

Valise Louis Vuitton Cotteville en toile monogram marron et lozine marron parade and coins the exercise Hypnovisualism®. A decidedly irrational way of inspiring compassion in people through hallucinogenic displays of Louis Vuitton SC BB Crocodile Bag Bolso de mano Louis Vuitton Reade modelo pequeño en charol Monogram rosa fucsia y cuero ocre pleasant layers of what he calls “nuance” – theatrics, amusement, poetry – Louis Vuitton World Tour Neverfull Louis Vuitton x Yayoi Kusama 2000s pre-owned Dor Infinity pleated miniskirt inch of his global platform to create something far beyond the realm of “fashion”.